ANF, Always Never Fun, is a powerviolence band from Palermo, Italy performing since 2012.

RECEIPT
2021-01-25

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Debut LP from Amygdala - an unbelievably passionate punk / hardcore band from San Antonio, TX. Ten blistering tracks that touch on subjects such as child sexual abuse, patriarchy, inner misogyny and colorism. Not for the faint of heart.

RWP084
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RECEIPT
2016-06-01

Spain's Ànteros, comprised with ex-members of Toundra, Syberia and Viva Belgrado, is back with their second full album promisingly entitled 'Cuerpos celestes'. On the leading path of the debut 'Lunas', it returns to the postrock field with the epic, brutal and beautiful feel to it. With 'Cuerpos celestes', you are sailing through melodic and heavy postrock landscapes incorporated with elements of commanding rock and intense progressive metal. The layered guitar work and calculated instrumental frenzies are something to be admired as the rage and aggression pours forth on this release.

RECEIPT
2018-02-05

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dark, gloomy black metal from berlin.

RECEIPT
2020-05-05

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Arkhamin Kirjasto was born in 2010, when Jussi Lehtisalo and Samae Koskinen started making music together. Their aim was to combine different aspects of metal, the music they both loved. Would the guttural power of Autopsy and Nihilist work well with the sheer melodiousness of early Iron Maiden and Angel Witch? Arkhamin Kirjasto's debut album, Torches Ablaze, is the answer to that question. This versatile record opens with "The Cult of No Return", a startling riff that pays homage to Judas Priest. "Sea of Madness" takes an ethereal trip to the realms of psychedelia while "The Bitch From Hell" pairs pure glam with death-metal vocals. The undead hissing of "Thousand Snakes" and the majestic guitar noise of "Speed, Yog Sothoth" then proceed to turn the metal blueprint inside out. Lyrically speaking, Arkhamim Kirjasto deals mainly with the green-tinted cosmic horror of Lovecraftian mythology.

RECEIPT
2018-06-12

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ASHKARA features ex-members of long going switzerland Crustpunk institution CWILL and play down tuned and dark, atmospheric and moody HC/Punk or modern and slowed down Crustcore with a urge to sink you into a dark abyss... The use of a violin in most songs adds alot to the moody atmosphere and is a perfect addition for this style of post-punk/post hardcore or whatever you wanna call it.

RECEIPT
2017-10-08

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„no post shit“ rough screamy emo from some of the best people on this planet. honest and passionate. autarkeia continue to write moody and epic songs with great rhythms – this is heavy and crushing with beautiful melodies and yet harsher than their previous releases. me and goliath contribute 3 songs of finest „minstrel“ emo – playful and beautiful – dirty and intense!

RWP075
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RECEIPT
2014-07-03

"AUTISM is an instrumental Post-Rock/ Post-metal band from Vilnius, Lithuania. The band say this about this record: ""This album, sharing the same name as a cinematic genre, is driven by a mood of pessimism and menace. While working on this album, we decided to explore even more disturbing and uncomfortable topics. Alcoholism, drugs, physical and psychological abuse, manipulation…it is all a part of our everyday life. We have used real samples of some actual tragic life events to create a greater emotional impact to the listener and make him aware. This is not a casual album to listen to, but we believe that “Film Noir” will succeed to deliver the message we wanted to communicate."""

RECEIPT
2017-02-24

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"New album of BATTLE OF WOLF 359 containing 8 Tracks of intense heavy hardcore ala Systral or Shikari meets older emoviolence madness ala to Dream Of Autumn or Welcome The Plague Year."

RWP041
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BAND INFO
battle of wolf 359

RECEIPT
2016-10-10

Apophenia delivers seven new songs packed to the brim with merciless, rippling, and suffocating atmosphere. Each song is crafted with authentic, proficient guitar and bass work that focuses on massive riffs without studio trickery. Ritualistic and steadfast guitar and bass tones speak their own languages as they slither throughout Apophenia. Clever and intuitive drumming drive merciless triplet-blasted fervor into each song and pumps life into the bleak and dark pulse of the world. Apophenia brings agonizing, indignant, and thunderous anthems of unwavering whispers of dissonance through an immortal storm. The unrelenting, bleak aura of Apophenia puts forth an acrimonious pall while reaching for serenity.

RECEIPT
2018-06-12

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Birushanah are a Japanese band who play music that has elements of epic doom, post-hardcore, frenzied grind, some out there jazz elements and a whole lot of other things all mixed up in their varied sound. Makyo is the sound of a band making noise on their own terms and doing it with a mixture of style and disorder.

RECEIPT
2017-07-07

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Black Table are a four-piece band from New York that create their own take on experimental metal with a broad range of influences. The two-guitar outfit has been around since 2010 and played numerous shows across the United States including an extensive tour with Downfall of Gaia. With six years of existence under their belt, Black Table are thrilled to unleash their new monster OBELISK. In the whirlwind of chaos and complex rhythms that is OBELISK, atmospheric parts only leave you so much time to recover, before the frantic voice will send shivers through your spine over and over again. After Black Table successfully toured Europe in June, Moment Of Collapse Records (EU) and Silent Pendulum Reocrds (US) are proud to release OBELISK which is the second ever album after the band's 2012 debut Sentinel, in fall this year.

RECEIPT
2017-03-28

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Within the vast and often chaotic global network that is the DIY Hardcore scene, like-minded bands may often exist for years without even being aware of each other. When their paths finally cross though, even under the most coincidental circumstances, strong and very fruitful alliances may be forged instantly. This is exactly what happened when SANGHARSHA, a NYC-based band consisting of four Nepali guys, who have been channeling the struggle of existence into crushing Hardcore since 2010 met German Negative Hardcore outfit BLANK, who have released two records entitled ‘Calix’ and ‘Suspiria’ and played shows all over Europe since their inception in 2011. The axis New York-Ohligs-Kathmandu will be strong in 2015 teaming up for a split LP entitled 'Intermundia' as well as a short US-Tour in July/August. 'Intermundia' contains three new songs by each band, showcasing their different takes on dark, modern, crushing Hardcore. The whole affair was mastered by Brad Boatright at Audiosiege and will be out on Alerta Antifascista and Holy Goat Records

RECEIPT
2021-01-25

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For 30 years now, Blockheads have set a course on the heart of original grindcore. Call it old school, call it political, all in all, they sticked to the idea of criticizing and analyzing the world as it is: cold, oppressive, and bleak. Now it is time to release their sixth album: “Trip to the Void”. Their sonic punishing blastbeat and trademark neck-breaking groove have never been sharper, refined on stage with the likes of Napalm Death, Carcass, or Mumakil, and condensed into the span of these 25tracks/28 minutes of sheer aggression. With their darker work to date, Blockheads are back, uncompromising and straight to the point, as grindcore should always be.

RECEIPT
2022-10-17

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this is some very fucking promising tech-grindcore.talking about majorly intense and frantic grind with wildly chaotic drumming that barely seems to follow the same beat as the guitars, which are ultra fast and a little noisy, but also super detuned for added heaviness. Also in place are layered screaming/growling female vocals (some of the best I've ever heard), crazy technical riffs with plenty of blasting speeds, and lots of weird chord phrasings and rhythmic patterns that really fuck with the structures and make for an odd listen. you ve been warned.

RWP020
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BAND INFO
bolz'n

RECEIPT
2006-08-05

Breag Naofa bring a crushing sophomore LP. think NORTHLESS, PRIMITIVE MAN, et al with nods to hardcore and post black metal/post metal. crushing from start to finish

RECEIPT
2018-11-29

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… Canyons play a loud, volatile, and heavy style of post hardcore with a great noise rock vibe to their sound. Creeper is a four piece band from Toronto, On who formed in 2009. Creeper play a similar style of music, but take a bit of a different approach, combining crust and metallic hardcore influences to their sound. Musically, Canyons call to mind bands that include Bleeding Kansas, Engineer, and Kiss It Goodbye, but add a unique modern twist that keeps the band sounding original and fresh. On their side of the split, Canyons offer up six songs of dirty, scuzzy, sludgey noise rock tinged post hardcore. On the second side of the split, Creeper offer up five songs of crust tinged/metallic hardcore with a great noise rock current that calls to mind bands like No Omega and Oathbreaker if those bands smoked weed and listened to a lot of Botch. Overall, this is a phenomenal album and both bands offer up top notch material for this split. Seriously, I can't get enough of this album. Highly recommended! Enjoy! - from manic compression blog

RECEIPT
2014-08-24

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"From the hot-boxed catacombs of mathcore-meets-stoner-metal, comes the heaviest 3-way split this year from Missouri's Canyons and Foreign Theaters, and the Bay Area's Tigon. Sharing influences that range from Coalesce and Kylesa to Black Sabbath and The Melvins, these three ""math-sludge"" virtuosos deliver a formidable testament to how grimey, raw, and technical the recesses of hardcore can go. Although all three bands wrote and recorded the record independently of each other, ""Can't Have Nothin' Nice"" shares a common theme of the flaws of the human-condition, and calls for a serious self-evaluation through rigorous (and often ruthless) introspection. For fans of Coalesce, Engineer, The Jesus Lizard, Botch, and brutality. "

RECEIPT
2014-08-24

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dual scream / growl grind attack with a lot of powerviolent elements to it

RECEIPT
2018-06-12

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This is the final record from the Insect Warfare-influenced, vicious Florida grindcore outfit Cellgraft. After their final show on September 1st at the Brass Mug in Tampa, Florida they're calling it quits. They've generously left this unrelenting jagged shard of Grindcore as their final word. Their records have been tremendous, truly doing the grind scene proud, and it's really a shame that they've split - especially considering they deserve a ton of attention for their hard work and dedication to face shredding Grindcore over their short 3 year existence.Self-titled and raw as you could ask for, this record is as short as any GridLink release and approaching their level of might and ferocity, while sidestepping technicality and barreling head-long into darkened, brutal speed. Outside of the opening track "False Sequence of Value" there is only one other track of the 17 here that approaches one minute in length. The opener is also the slowest you'll ingest too, at least for the first minute as it clobbers you with a maniacal set of distorted groves.

RECEIPT
2019-03-22

Bloomington's Closet Burner return with a full length of queer-positive, society bullshit negative hardcore. The sound is rooted in classic fast hardcore riffs, but not afraid to drop a dirge or a powerviolent blast in there. Lyrics are angry, to the point, and no holds barred, representing a refreshing return to actual anger and resistance in hardcore. Members share time in Rat Storm as well.

RECEIPT
2017-02-01

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„... it’s in the metallic emotional vein with screamed vocals, which often have a real desperate feeling to it. It’s a little bit similar to some of the Per Koro bands, but concrete is far away from a sound alike. What cause my surprise is a breakdown after the second song, where they switch to five minutes or so of mellow classical music played with a stand up bass, piano and violi. It’s a big contrast, but it fits in just perfect...“

RECEIPT
2020-05-05

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"After arising from the ashes of the post-metal heavyweight Omega Massif in 2014, Cranial are now about to release their first longplayer „Dark Towers, Bright Lights“ that combines 45 minutes of thick and heavy sludge and doom. When the four members of Omega Massif split up, their musical future was vague but soon Phantom Winter, Blacksmoker and lastly Cranial came to life. For the latter, Omega Massif‘s Michael Melchers (guitar) gathered Julian Weidhaus (bass and vocals), Cornelius Merlin (drums) and Sebastian Kröckel (guitar and vocals) to work on the fi rst material which was later recorded by Tobias Anderko in his Blank Disc Studio. The two songs were mixed and mastered in the Tonmeisterei in Oldenburg and later released as the band‘s first physical release. The „Dead Ends“ EP came out in the end of 2015 via Moment of Collapse Records on CD and tape, while the vinyl version‘s appearance was enhanced with a screenprint on the B-side, a printed innersleeve and an inside out cover with a die-cut logo. The EP was highly praised by the international press which enabled the band to play the Droneburg-Festival among several other festivals and shows. In the summer of 2016, Cranial then booked the Tonmeisterei for a week to record the EP‘s successor „Dark Towers, Bright Lights“ with Role Wiegener. Similar to the „Dead Ends“ EP the four songs on „Dark Towers / Bright Lights“ are gloomy, heavy and abundant with a threatening atmosphere. When there is a leitmotif on Cranial‘s latest release, then it is a muddy and bloody plow that draws relentlessly through everything that gets in its way! This beast of an album leads the listener through an almost cinematic dramaturgy by stacking soundscape on soundscape. In the face of these sonic monliths, the tension becomes almost unbearable. Only then Cranial crush them to ruins just to repeat the procedure. Again and again with no time for relaxation. With that „Dark Towers / Bright Lights“ is highly recommendable for fans of Neurosis, Isis, Cult of Luna and the likes."

RECEIPT
2017-03-28

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Although Crevasse could be described as a punk band, and V0NT as an electronic act, samples, noise, and aggressive vocals can be heard on both sides of this record, making it a coherent whol

RECEIPT
2021-01-25

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Crippled Fox is a Thrashcore, fastpunk band from Budapest, Hungary formed in 2018.

RECEIPT
2021-01-25

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The new LP from Damages, features 10 emotionally charged songs. Chiefly influenced by 90's hardcore like Navio Forge and Shotmaker, Damages expand their sound to include influences like Unwound, The Jesus Lizard, and Killing Joke to create their own take on hardcore outside of the sonic archetypes. Sharp, abrasive guitar lines, and charging rhythms form the soundtrack to vocals about regret, inner frustration and critical self-examination.

RECEIPT
2013-03-11

Abstracter is a blackened sludge-doom band with crust influences hailing from Oakland CA, founded in 2010 by Robin Kahn and Mattia Alagna with the intent of creating the darkest, bleakest, and most punishing music they could come up with. Influenced by legendary bands like Swans, Amebix, Godflesh, Corrupted, His Hero Is Gone, and Blut Aus Nord. Abstracter has shared a stage with bands like Bell Witch, Mass Grave, Noothgrush, Buried At Sea, Unearthly Trance, Acephalix, Sleep, Graves At Sea and many more, presenting the world with their own brand of apocalyptic, hopeless and darkness-fueled music driven by crushing, grim, and dissonant guitar work, apocalyptic themes and lyrical content, and absolutely blood-freezing and plague-ridden atmospheres. Dark Circles is a three piece band from Montreal, Canada who formed in early 2013. Dark Circles play a dark, metallic, and crust tinged style of hardcore. Musically, Dark Circles can be loosely compared to bands such as Hexis, Svffr, Holy, and other-like minded bands. On their side of the split, Dark Circles offer up four tracks of brutal as fuck sounding blackened/crust tinged modern hardcore.

RECEIPT
2016-10-22

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Originally a limited release by Seattle’s Rome Plow records, this re-release of Deadsure’s final lp comes on hefty white vinyl, with new cover art

RECEIPT
2013-03-11

A new offering, and vinyl debut, from Richmond's Decades/Failures. Darkwave, coldwave, post-punk... Whatever you call it, it's eight songs of raw and urgent loner pulse. A suite of songs that followed quickly on the heels of this year's previous cassette releases; the lauded "002" full length and "February 14th" single. "GOODBY3" finds Decades/Failures restlessly evolving beyond the claustrophobic dark-synth frameworks of previous releases, creating a more minimal, airy yet tense atmosphere. The sonic palette has expanded too, the variety of synth sounds are dazzling dark jewels, and a strident guitar cuts through much of the album, with dour nods to Wire and early Cure. This is in part due to the addition of new member Alexis Ivy, whom Decades/Failures' mainstay Adam happened upon while searching out ancient electronic albums in thrift stores. And though it is said there is strength in numbers, the feeling of utter dejection and defeat that pervades this album will soak deep into the bones of listeners. Just listen to the reverb-cloaked whispers amidst the panicked rhythms of theses songs and know that all is not well. And it never will be...

RECEIPT
2017-08-04

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Debut record from this new band from Bremen, Germany. This is powerful melodic driven emo-violence with 2 vocalists. Loud - desperate - beautiful. For Fans of Bands like ANGSTZUSTAND and the old mid 90ties north german screamo bands!

BAND INFO
delos

RECEIPT
2021-01-25

only 2 left !